Faith
Faith and Creeds
To close this Year of Faith, we thought we should hearken back to the last Year of Faith and talk a little about creeds. We presume everyone reading this knows the Apostle’s Creed and the Nicene Creed. There is also the so-called Athanasian Creed. At the close of the Council of Trent, a new creed was published, ditto at the close of Vatican I. New creeds tend to deal with “the problem du jour” — the Nicene Creed dealt with the procession of the Holy Spirit; the Athanasian Creed, deals (again) with Trinitarian Theology (especially contra Arius), and the necessity of the Church for salvation. The Trent Creed dealt with claims of the Protestants. After the close of Vatican II, Pope Paul VI published what can be fairly called The Creed of Paul VI or maybe The Pauline Creed, published for the first Year of Faith in 1968. Although it is mainly an expansion on the Nicene creed, true to form it deals with problems of the day: Modernism and other theological speculations, and the balance between concern for the world, and concern for the Kingdom. Read more “Faith and Creeds”
There’s a young woman with a blog who calls herself Rachel and wrote an essay
Working away on the next issue of Evangelium with EWTN in the background, I heard “I announce to you a great joy: We have a pope! The most eminent and most reverend lord, Lord Jorge Mario, Cardinal of the Holy Roman Church, Bergoglio, who has taken for himself the name Francis.” It was of course in Latin, but because of many influences including Credo, I was able to catch most of it.
The St. Louis Art Museum has an exhibit up Federico Barocci: Renaissance Master through this coming Sunday, January 20th, that is well-worth seeing. This particular preview image here is better than many you will find online — the colors and tone-scale are pretty true, but nothing compared to seeing the real thing in person. The idea that “religious art” is dark and somber is wrong, wrong, wrong. These paintings are stunning and huge — most of them are of architectural scale, not paintings for a suburban living room.